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|timeline= [[1967]]
 
|timeline= [[1967]]
 
|narrator= [[Victoria Winters]]
 
|narrator= [[Victoria Winters]]
|writer= [[Malcolm Marmorstein]]||director= [[Lela Swift]]
+
|writer= [[Malcolm Marmorstein]]
  +
|director= [[Lela Swift]]
 
|airdate= [[Template:March 28|March 28]], [[1967 productions|1967]]
 
|airdate= [[Template:March 28|March 28]], [[1967 productions|1967]]
 
|tapedate = [[Template:March 15|March 15]], 1967
 
|tapedate = [[Template:March 15|March 15]], 1967
|video = [[VHS]]: <br>[[DVD]]: [[Dark Shadows The Beginning DVD Collection 6|TB C6D3]]
+
|video = [[VHS]]:
  +
<br>[[DVD]]: [[Dark Shadows The Beginning DVD Collection 6|TB C6D3]]
 
|prevep= [[196|←]]
 
|prevep= [[196|←]]
 
|nextep= [[198|→]]
 
|nextep= [[198|→]]
|bottomimage=DStitle.jpg}}[[Roger Collins|Roger]], desperately seeking the paintings he needs to return to [[Sam Evans|Sam]], runs into an equally snooping [[Jason McGuire|McGuire]] in the basement of [[Collinwood]], but even this intrusion does not get him tossed out by [[Elizabeth Collins Stoddard|Liz]]. Roger attempts to get into the locked room at All Costs.
+
|bottomimage=DStitle.jpg
  +
}}
  +
[[Roger Collins|Roger]], desperately seeking the paintings he needs to return to [[Sam Evans|Sam]], runs into an equally snooping [[Jason McGuire|McGuire]] in the [[basement]] of [[Collinwood]].
   
 
== Synopsis ==
 
== Synopsis ==
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: ''My name is [[Victoria Winters]]. There is a guest at [[Collinwood]], a guest whose smile masks the suggestion of evils past, present and future. But one need only look into his eyes to discover the danger that his smile cannot conceal.''
 
: ''My name is [[Victoria Winters]]. There is a guest at [[Collinwood]], a guest whose smile masks the suggestion of evils past, present and future. But one need only look into his eyes to discover the danger that his smile cannot conceal.''
   
Morning; [[Jason McGuire | Jason]] comes downstairs acting as if he owns the place. He had a great night's sleep; Liz considers him an intruder, not a guest. She pressures him for a decision concerning his length of stay; he stalls and says if she gets difficult, he will retaliate.
+
Morning; [[Jason McGuire|Jason]] comes downstairs acting as if he owns the place. He had a great night's sleep; Elizabeth considers him an intruder, not a guest. She pressures him for a decision concerning his length of stay; he stalls and says if she gets difficult, he will retaliate.
   
 
'''Act I'''
 
'''Act I'''
   
[[Elizabeth Collins Stoddard | Liz]] asks if Jason will continue threatening her; why did he return when he promised never to? Jason thinks Liz's life has been pretty good, but her conscience has been bothering her. Jason is glad he doesn't have one, or he would have turned her in already. He points out her hypocrisy. He laments his sad, moneyless life and she reminds him of the generous amount of money she gave him. It's 'gone with the wind'; he wants her to allow him to charge some clothing at the local clothiers. Outside in the [[Foyer]], Roger receives a call from an angry [[Sam Evans | Sam]], who reiterates his threat of [[193]] after Roger reports the 'miserable' paintings weren't where he last placed them.
+
[[Elizabeth Collins Stoddard|Elizabeth]] asks if Jason will continue threatening her; why did he return when he promised never to? Jason thinks Elizabeth's life has been pretty good, but her conscience has been bothering her. Jason is glad he doesn't have one, or he would have turned her in already. He points out her hypocrisy. He laments his sad, moneyless life and she reminds him of the generous amount of money she gave him. It's 'gone with the wind'; he wants her to allow him to charge some clothing at the local clothiers. Outside in the [[Foyer]], Roger receives a call from an angry [[Sam Evans|Sam]], who reiterates his threat of [[193]] after Roger reports the 'miserable' paintings weren't where he last placed them.
   
 
'''Act II'''
 
'''Act II'''
   
[[Roger Collins | Roger]] prowls in the [[basement]], hoping to find his missing paintings. He is unable to enter the locked room; while down there, he hears a noise and hides. He observes Jason prowling by the locked room as well. McGuire, using a lighter to spy, is surprised when Roger shines a flashlight on him. Jason claims to be lost and to having collected old padlocks like the one on the basement door. They spar; Roger asks if McGuire left with [[Paul Stoddard]]. McGuire states he and Paul left at the same time, and that the last place he saw him was here (in Collinwood's basement).
+
[[Roger Collins|Roger]] prowls in the [[basement]], hoping to find his missing paintings. He is unable to enter the locked room; while down there, he hears a noise and hides. He observes Jason prowling by the locked room as well. McGuire, using a lighter to spy, is surprised when Roger shines a flashlight on him. Jason claims to be lost and to having collected old padlocks like the one on the basement door. They spar; Roger asks if McGuire left with [[Paul Stoddard]]. McGuire states he and Paul left at the same time, and that the last place he saw him was here (in Collinwood's basement).
   
 
'''Act III'''
 
'''Act III'''
   
McGuire elaborates that Paul was collecting things as he left; McGuire asks if Roger wants Paul to come back. Roger doesn't, but feels that Paul is one of Collinwood's loose ends. They speak of Liz's being a recluse; Roger refuses to explain why he was in the basement. Roger goes to Liz, desperate to find the unimportant, non-family, partially framed paintings. He's looked everywhere but the locked room, where Liz assures they're not, and bars his access. Roger blabs that McGuire was poking around the basement room as well. Roger vows to find out what it's all about.
+
McGuire elaborates that Paul was collecting things as he left; McGuire asks if Roger wants Paul to come back. Roger doesn't, but feels that Paul is one of Collinwood's loose ends. They speak of Elizabeth's being a recluse; Roger refuses to explain why he was in the basement. Roger goes to Elizabeth, desperate to find the unimportant, non-family, partially framed paintings. He's looked everywhere but the locked room, where Elizabeth assures they're not, and bars his access. Roger blabs that McGuire was poking around the basement room as well. Roger vows to find out what it's all about.
   
 
'''Act IV'''
 
'''Act IV'''
   
At the [[Blue Whale]], Sam drinks. Roger enters sans paintings; Roger reports he was unable to find them and speculates that someone must have thrown them out. Sam is appalled that someone would throw out paintings; they trade barbs. Sam again threatens that if he doesn't get the paintings and his chance for recognition, he will start blabbing and stop only when Roger's behind bars. Roger thinks of one place they may be. At [[Collinwood]], Jason is preparing to go out to pick up his new clothes; Liz has called and the Haberdashery is expecting him. She confronts him about his activities in the basement. Jason calls the basement room "his stake" and Liz scolds him for drawing attention to it. Liz defends Roger; both McGuire and Liz want the locked door never to be opened. Back in the basement, Roger hacks at the locked door with an axe.
+
At the [[Blue Whale]], Sam drinks. Roger enters sans paintings; Roger reports he was unable to find them and speculates that someone must have thrown them out. Sam is appalled that someone would throw out paintings; they trade barbs. Sam again threatens that if he doesn't get the paintings and his chance for recognition, he will start blabbing and stop only when Roger's behind bars. Roger thinks of one place they may be. At [[Collinwood]], Jason is preparing to go out to pick up his new clothes; Elizabeth has called and the Haberdashery is expecting him. She confronts him about his activities in the basement. Jason calls the basement room "his stake" and Elizabeth scolds him for drawing attention to it. Elizabeth defends Roger; both McGuire and Elizabeth want the locked door never to be opened. Back in the basement, Roger hacks at the locked door with an axe.
   
 
== Memorable quotes ==
 
== Memorable quotes ==
   
+
: '''[[Elizabeth Collins Stoddard|Elizabeth]]''': I have a conscience, you know.
* '''[[Elizabeth Collins Stoddard]]''': "I have a conscience, you know."
+
: '''[[Jason McGuire|Jason]]''': Yeah, well that's your shortcoming.
* '''[[Jason McGuire]]''': "Yeah, well that's your shortcoming."
 
   
 
== Dramatis personae ==
 
== Dramatis personae ==
 
   
 
* [[Joan Bennett]] as [[Elizabeth Collins Stoddard]]
 
* [[Joan Bennett]] as [[Elizabeth Collins Stoddard]]
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== Background information and notes ==
 
== Background information and notes ==
   
  +
=== Production ===
  +
  +
=== Story ===
   
* Jason claims that most of his possessions were stolen in Panama.
+
* [[Jason McGuire|Jason]] claims that most of his possessions were stolen in {{w|Panama}}.
* According to Liz, most of the Collins family portraits are hanging in the house.
+
* According to [[Elizabeth Collins Stoddard|Elizabeth]], most of the [[Collins family]] portraits are hanging in the house.
  +
* It's been 18 years since Jason last saw Elizabeth.
   
 
== Bloopers and continuity errors ==
 
== Bloopers and continuity errors ==

Revision as of 13:08, January 24, 2014


0197
197
Timeline

1967

Narrator

Victoria Winters

Writer

Malcolm Marmorstein

Director

Lela Swift

Broadcast

March 28, 1967

Recorded

March 15, 1967

Video

VHS:
DVD: TB C6D3

ImageNeeded
We have 1 images of Dark Shadows 197

Roger, desperately seeking the paintings he needs to return to Sam, runs into an equally snooping McGuire in the basement of Collinwood.

Synopsis

Teaser

My name is Victoria Winters. There is a guest at Collinwood, a guest whose smile masks the suggestion of evils past, present and future. But one need only look into his eyes to discover the danger that his smile cannot conceal.

Morning; Jason comes downstairs acting as if he owns the place. He had a great night's sleep; Elizabeth considers him an intruder, not a guest. She pressures him for a decision concerning his length of stay; he stalls and says if she gets difficult, he will retaliate.

Act I

Elizabeth asks if Jason will continue threatening her; why did he return when he promised never to? Jason thinks Elizabeth's life has been pretty good, but her conscience has been bothering her. Jason is glad he doesn't have one, or he would have turned her in already. He points out her hypocrisy. He laments his sad, moneyless life and she reminds him of the generous amount of money she gave him. It's 'gone with the wind'; he wants her to allow him to charge some clothing at the local clothiers. Outside in the Foyer, Roger receives a call from an angry Sam, who reiterates his threat of 193 after Roger reports the 'miserable' paintings weren't where he last placed them.

Act II

Roger prowls in the basement, hoping to find his missing paintings. He is unable to enter the locked room; while down there, he hears a noise and hides. He observes Jason prowling by the locked room as well. McGuire, using a lighter to spy, is surprised when Roger shines a flashlight on him. Jason claims to be lost and to having collected old padlocks like the one on the basement door. They spar; Roger asks if McGuire left with Paul Stoddard. McGuire states he and Paul left at the same time, and that the last place he saw him was here (in Collinwood's basement).

Act III

McGuire elaborates that Paul was collecting things as he left; McGuire asks if Roger wants Paul to come back. Roger doesn't, but feels that Paul is one of Collinwood's loose ends. They speak of Elizabeth's being a recluse; Roger refuses to explain why he was in the basement. Roger goes to Elizabeth, desperate to find the unimportant, non-family, partially framed paintings. He's looked everywhere but the locked room, where Elizabeth assures they're not, and bars his access. Roger blabs that McGuire was poking around the basement room as well. Roger vows to find out what it's all about.

Act IV

At the Blue Whale, Sam drinks. Roger enters sans paintings; Roger reports he was unable to find them and speculates that someone must have thrown them out. Sam is appalled that someone would throw out paintings; they trade barbs. Sam again threatens that if he doesn't get the paintings and his chance for recognition, he will start blabbing and stop only when Roger's behind bars. Roger thinks of one place they may be. At Collinwood, Jason is preparing to go out to pick up his new clothes; Elizabeth has called and the Haberdashery is expecting him. She confronts him about his activities in the basement. Jason calls the basement room "his stake" and Elizabeth scolds him for drawing attention to it. Elizabeth defends Roger; both McGuire and Elizabeth want the locked door never to be opened. Back in the basement, Roger hacks at the locked door with an axe.

Memorable quotes

Elizabeth: I have a conscience, you know.
Jason: Yeah, well that's your shortcoming.

Dramatis personae

Background information and notes

Production

Story

  • Jason claims that most of his possessions were stolen in Panama.
  • According to Elizabeth, most of the Collins family portraits are hanging in the house.
  • It's been 18 years since Jason last saw Elizabeth.

Bloopers and continuity errors

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