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152
Number

149

Timeline

1967

Narrator

Alexandra Moltke
(as Victoria Winters)

Writer

Malcolm Marmorstein

Director

John Sedwick

Broadcast

January 24, 1967
(Tuesday)

Recorded

January 17, 1967
(Tuesday)

Video

Complete: Disc 17
Beginning 5: Disc 1

152 Gallery
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As the custody battle over David heats up, the matter of the dead woman in Phoenix may pull away one of the protagonists prematurely.

Synopsis[]

Teaser

My name is Victoria Winters. A little boy has had a change of heart at Collinwood. It is a change that affects many other people, in particular one woman who feels her own security, indeed her whole way of living, is threatened by this change.

Elizabeth, upset, paces before the fireplace as Victoria enters the Drawing room. She tells Victoria that Laura visited David in his room last night, which Victoria deduces was after she left. Elizabeth tells Victoria not to let Laura see David again.

Act I

Laura, once again in a trance before the fire, answers the door and meets Frank, who wants to speak of the divorce proceedings. She wants the whole thing settled quickly and sans her involvement. Laura tells Frank all she wants is David, no money, no property; she even offers to sign papers giving up David's money by putting it in a trust for him. Frank tells her about the possibility that she may end up having to testify concerning the dead body in Phoenix. Laura offers eternal gratitude to Frank if he helps her win David.

Act II

Victoria goes to Laura's Cottage, where she's just in time for tea. Laura asks if Victoria and Frank are involved; Victoria dodges the question by getting directly to the point about Elizabeth's anger concerning Laura's visit to David last night. Victoria admits reluctance in her duties; Victoria attempts to explain her reasoning behind not helping Laura when she asked her the second time (147) and recaps the paintings, the dream, etc. Laura is upset that Sam's fixation on her is keeping her from David. Victoria reasserts that she's only doing her duty. Laura moves to check the tea kettle, almost sticking her hand directly into the fire!

Act III

Laura can't understand why Victoria, an orphan, is keeping a boy from his mother. She tries convince Victoria to help her, but Victoria steadfastly refuses. Back at Collinwood, Victoria tells Elizabeth she can't do what she asks. Elizabeth is angry at Victoria's using [Laura's] analogy. She demands that Victoria agree to keep Laura and David apart.

Act IV

Frank comes from having met with Laura and reports that Laura wants only David--no money, no property. Roger is all for it; Elizabeth is all against it. He wants the papers drawn up quickly. They pull Frank several ways in a tug-of-war; Frank tells them that Laura wants David and is reluctant to leave without him, even though she may have to in order to testify in the murder investigation in Phoenix. Elizabeth orders Frank to go with Laura to Phoenix to defend her, as she is still a Collins. Elizabeth isn't sure Laura's ready for David and wants the death in Phoenix cleared up before turning over the boy. Alone, Roger tells Frank to draw up the papers quickly and he'll take the flak. Roger gets a call. He tells Elizabeth that the body in Phoenix has been positively identified as being that of Laura Collins. If that's Laura, who's in the Cottage?

Memorable quotes[]

Roger: (to Elizabeth): Why is it whenever you clear the air I’m always reminded of Lucretia Borgia?

Frank I've just seen your wife.
Roger: Bully for you.

Elizabeth: Oh, please, Roger, you're becoming tiresome.
Roger: No, my dear, I'm becoming bored.

Dramatis personae[]

Background information and notes[]

Production[]

  • When the end credits start to roll, the background is black.

Story[]

Bloopers and continuity errors[]

  • As Frank Garner and Laura talk in the college, someone coughs several times off-stage.
  • Actress Alexandra Moltke tells Laura that "Mrs. Collins" is upset instead of saying "Mrs. Stoddard."
  • In Act III, actress Joan Bennett looks straight into the camera over Victoria's shoulder and appears to be reading her lines word for word as she demands her assistance in keeping Laura and David apart.
  • When Frank arrives at Collinwood, he says he'd just been to see Laura. But in the time it took him to get from Laura's cottage to Collinwood, Vicki went to the cottage, had a conversation with Laura, returned to Collinwood, and had a conversation with Elizabeth. Why did it take so long for Frank to get from the cottage to Collinwood?
  • The body in Phoenix had previously been identified as Laura. When it turns out Laura is alive in Collinsport, that identification was called into question. Apparently additional investigation has convinced the Phoenix police that the body is without question Laura. But why is it only now that Elizabeth and Roger start to wonder if the woman in the cottage may be an imposter?

End credits announcement[]

  • Rodney Harrington makes an important decision and informs his grandfather in tonight's episode of "Peyton Place" at 9:30, 8:30 Central Time, in color on ABC.
  • Dark Shadows is a Dan Curtis Production.

External Links []

Dark Shadows - Episode 152 on the IMDb

Dark Shadows Commentary- Episode 152: Woman in the cottage

Dark Shadows Before I Die- Episode 152: 1/24/67

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